| 1．Tottori Sand Museum |
| The Tottori Sand Museum (砂の美術館, Suna no Bijutsukan) was opened on November 18, 2006, in Tottori, Japan, by the Tottori Sand Dunes, displaying sand sculptures in temporary facilities. On April 14, 2012, it reopened as the world's first permanent indoor exhibition space dedicated to sand art, exhibiting works by fifteen international sculptors.[1][2] |
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| 2．Tottori Folk Crafts Museum |
| The Tottori Folk Crafts Museum (鳥取民芸美術館, Tottori Mingei Bijutsukan) opened in Tottori, Japan, in 1949. It was established as the Tottori Mingeikan by Yoshida Shōya (吉田璋也), local advocate of the mingei folk craft movement, who formed a craft guild in 1931 and opened the craft shop "Takumi" in the city the following year. In 1933, Yoshida opened a shop by the same name in Tokyo's Ginza district. Both shops are still in operation as of 2023.[1][2] The building in which the Tottori museum is housed was designated a Registered Tangible Cultural Property in 2012.[3] |
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| 3．Watanabe Art Museum |
| Watanabe Museum Of Art (渡辺美術館, Watanabe Bijutsukan) opened in Tottori, Tottori Prefecture, Japan in 1978. It houses the collection of Tottori resident Dr Hajime Watanabe, which includes Buddhist sculptures, Chinese, Korean, and Japanese ceramics, ukiyo-e, and over two hundred sets of samurai armour.[1][2][3] |
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| 4．Yonago City Museum of Art |
| Yonago City Museum of Art (米子市美術館, Yonago-shi Bijutsukan) is a municipal art gallery in Yonago, Tottori Prefecture (Japan) that opened in 1983. The gallery has a permanent collection of paintings and photographs; the latter is particularly strong for the photographers Teikō Shiotani and Shōji Ueda. It also hosts special exhibitions. |
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| 5．Shoji Ueda Museum of Photography |
| The Shoji Ueda Museum of Photography, is a museum in Hōki, Tottori, Japan that is solely dedicated to exhibiting and archiving the work of the photographer Shoji Ueda.[1] The museum was founded in 1995.[2] The collection consists of over 12,000 works by Shoji Ueda.[3] The building was designed by Shin Takamatsu.[4] The architectural relationships between volumetric solids and voids (as scaled incisions in the volume) function to frame Mount Daisen.[5] |
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